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Take a good look at that photo right above this sentence. Chris Brown and T-Pain are physically and sexually objectifying this young black woman, and thus, reduce her to eye candy and perpetuating stereotypes about black women. To prove everything is mutual, the video director even had this woman smiling like that is the sort of thing a woman wants. Step right up black ladies! You're going to be featured in a video where everyone is going to look at your ass. If you're black, then it's almost certain we'll stereotype you for having a big ol' butt!

The problem does not stop there. Over the course of pop music history black women have consistently been objectified. If there are women in a hip-hop video, and the lead singers are men, one can almost be certain that a display of the female anatomy will be just what the doctor ordered.

Even before hip-hop emerged, black women's bodies have been objectified. In The rebirth of the booty: America's obsession with my big black ass., student writer Amber Williams discusses mainstream America's obsession with big black ass:

Black women have been objectified as sex objects ever since their voluptuous bodies were seen as a welcome change to the bony figures of European women to whom the male settlers were accustomed. When African women arrived in America via a "free cruise" through the middle passage with their large posteriors, it was assumed that they were sex-craving, savage beasts. The view of black women as sexual predators is still seen today in both the entertainment industry and society at large.

One of the most prominent themes of this movie was the use of female sexual powerlessness as a means to strike fear in the audience. There are two lengthy scenes where sexual powerlessness occurs. I will discuss one. The protagonist Riggs (Lyriq Bent) is faced with a moral dilemma. He either saves his fellow detectives or saves a prostitute. Jigsaw convinces the prostitute that if she kills Riggs then she will not have to go to jail for her crimes. When Riggs first sees her, her head is covered with a pig's head. Her entire body is in bondage. A 15 second screen shot from her high heels all the way up to the pig's head shows her breasts and thighs. Even in a horror movie, a woman in bondage and being tortured must look sexy. No where in the film are the men required to be physically and sexually objectified.

In Saw IV, both women and men are in bondage. Both women and men suffer from a huge power differential between themselves and the torturer. The difference between the males and female is not the magnitude of the torture, but rather, how the tortured respond to pain and powerlessness. All of the men in the film attempt to fight their way out of being tortured. The female character begs for help. The way that men react to powerlessness and the way women respond is entirely different. The writers Patrick Melton and Marcus Dunstan characterize men in the film to fight for their rights even though they are "in the wrong" until the bitter end. There is an endearing quality to a person who fights for their lives until the very end ... even if they are the antagonists. The prostitute was not written to have a fighter's spirit. She was characterized as being self-defeating and desperate.