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Posts tagged Women’s history

In History: Rayna Diane Green

This is the 40th post in a weekly feature here at Spare Candy, called "In History." Some posts might be little more than a photo, others full on features. If you have any suggestions for a person or event that should be featured, or would like to submit a guest post or cross post, e-mail me at rosiered23 (at) sparecandy (dot) com.


Rayna Diane Green was born in 1942 and is of the Cherokee tribe of Oklahoma. She is the first American Indian to earn a Ph.D. in the field of folklore and American studies, from Indiana University. She has written numerous books (including a book in 1984 called "That's What She Said: Contemporary Poetry and Fiction by Native American Women," so suck it Michael Scott), articles, papers; given many lectures; and taught at a number of universities. She is currently the Curator and Director of the American Indian Program at the National Museum of American History at the Smithsonian Institution. According to her staff page, her research specialties include "American identity, the politics of culture in contemporary American Indian art and music, American and American Indian material culture, American Indian women, American Indian agriculture and foodways, contemporary American foodways and wine." (How fascinating does that all sound?) At that link, you can also see a list of her present and past projects, and a list of some of her publications. You can also read more about her here.

Photo source


In History: Mary Vaux Walcott

This is the 39th post in a weekly feature here at Spare Candy, called "In History." Some posts might be little more than a photo, others full on features. If you have any suggestions for a person or event that should be featured, or would like to submit a guest post or cross post, e-mail me at rosiered23 (at) sparecandy (dot) com.


Mary Vaux Walcott was born in Philadelphia in 1860, and is perhaps best known for two things: one, her watercolor paintings of wildflowers, and two, being married to Charles Doolittle Walcott, the Secretary of the Smithsonian Institution. The latter is mostly important because Mary often traveled with him on his projects, working on her art while with him, and because the Smithsonian published a five-volume book of her paintings in 1925, titled "North American Wild Flowers." The work included 400 colored lithographic prints. The Smithsonian also published her "Illustrations of American Pitcherplants" in 1935, with 15 illustrations.

Walcott served on the federal Board of Indian Commissioners, from 1927 to 1932. In 1933, she was elected president of the Society of Woman Geographers. A mountain in Jasper National Park, Alberta, Canada, is named Mount Mary Vaux after her. (How cool is that?!)

Butterfly Pea (Clitoria mariana), 1934, Mary Vaux Walcott

You can see many of Walcott's watercolors here.

Photos courtesy of the Smithsonian Institute (top, bottom).


In History: Yoshioka Yayoi

This is the 38th post in a weekly feature here at Spare Candy, called "In History." Some posts might be little more than a photo, others full on features. If you have any suggestions for a person or event that should be featured, or would like to submit a guest post or cross post, e-mail me at rosiered23 (at) sparecandy (dot) com.


Yoshioka Yayoi was born in 1871 in Japan. She grew up to become a doctor, graduating from the Saisei-Gakusha school of medicine, and received the 27th medical license granted to a woman in Japan. Yoshioka started and opened the Tokyo Women's Medical School at a time when the Japanese government didn't even allow women to enroll in the national medical examination. She was active in the women's movement in Japan and advocated for sex education. During World War II, Yoshioka was a leading figure in patriotic women's associations, and after the she was involved in organizations promoting the education of women. She received a number of awards, including many after her death in 1959. A memorial museum dedicated to her exists in Kakegawa, Shizuoka.


In History: Ethel Waters

This is the 37th post in a weekly feature here at Spare Candy, called "In History." Some posts might be little more than a photo, others full on features. If you have any suggestions for a person or event that should be featured, or would like to submit a guest post or cross post, e-mail me at rosiered23 (at) sparecandy (dot) com.


Ethel Waters was a jazz and blues vocalist and an actress. She became the fifth black woman to make a record, in 1921. In 1949, she was nominated for an Oscar for best supporting actress in the film "Pinky." She was the second black person to be nominated for an Oscar (the first: Hattie McDaniel, who won for her supporting performance in Gone with the Wind). She is referred to as the first black superstar. She had a life; read more about her here, here and here, and you can learn about efforts to get her a star on the Hollywood Walk of Fame here.

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In History: Voting in Quebec

This is the 36th post in a weekly feature here at Spare Candy, called "In History." Some posts might be little more than a photo, others full on features. If you have any suggestions for a person or event that should be featured, or would like to submit a guest post or cross post, e-mail me at rosiered23 (at) sparecandy (dot) com.


Image description:

Canadian political cartoon of a woman in Quebec reading a sign that reads:
"News bulletin: for the first time in Turkish history women will vote and be eligible to the public office in the general election which takes place this week"
Women were granted the right to vote in Turkey in 1930, but the right to vote was not extended to women in provincial elections in Quebec until 1940.

You can read more about women's right to vote in Quebec here.

Image source


Sheila Rowbotham on new and old feminisms

Sheila Rowbotham is one of the grande dames of British feminism. When I went to a talk by her on this book at Bookmarks, the packed crowd was hanging on her every word. And she was always impressive, even when depressing as she recalled the optimism of the Seventies in contrast to the feelings today: “It seemed things were going too slowly. We thought, ‘why don’t things change quickly?’ We didn’t bargain for the fact that capitalism would go into a completely different phase; we thought welfare-based capitalism would be democratised. We didn’t believe it would be so radically diminished. … We saw women in parliament as a detail, equal pay as a detail, but the details proved to be extremely difficult.”

She added: “We’ve learned now that you can go backwards. In the Seventies we assumed once you made a gain it would stay there. … It is much harder to argue for equality in a situation where equality is not respected.”

I asked her about the current focus on porn/sexualisation among much feminist campaigning, and she responded that “selling things through sex was the route that capitalism took, and was using more and more. I don’t know how you can get that to change.” The “only alternative vision available” at present was the environmental movement she said, for Marxists had found that their assumption that the working class would resist capitalism was wrong. “The challenge is how to change society without extremely moralistic disapproval. Lots of small groups of people have been convinced but it is how to convince the mass of people now watching the World Cup and buying lots of gadgets.”

It’s an historical perspective from one who was there, and has seen a lot. It’s not, however, the subject of the book she was promoting, her new Dreamers of the New Day, which covers from the 1880s to the start of World War I, and is entirely successful in proving that there’s nothing really new under the son. The women she’s writing about lived in a very different world, but between them they thought up pretty well every revolutionary advance that we’re still dreaming about today.

What they wanted was nothing more than the abolition of gender stereotypes, something that today seems very dreamlike indeed. Who could argue with the hopes of Elsie Clews Parson, in 1914 in Journal of a Feminist:
“The day will come when the individual … [will not] have to pretend to be possessed of a given quoota of femaleness and maleness. This morning perhaps I fell like a male; let me act like one. This afternoon I may feel like a female; let me act like one. At midday or at midnight I may feel sexless; let me therefore act sexlessly… It is such a confounded bore to have to act one part endlessly.”

They also wanted access to birth control and abortion – rights that women are still fighting for today — (while also – generally – rejecting Malthusian and eugenics reasoning around them). Rowbotham recounts how Stella Browne put the case for the legalization of abortion in 1915 in a paper to the British Society for the Study of Sex Psychology, before going on to be a founder member of the Abortion Law Reform Association in 1936.

The wonderfully long-lived and long campaigning Charlotte Despard was a leader in setting up mother and baby clinics, beginning in Nine Elms in South London. In my local area, St Pancras, under pressure from mothers the Medical Officer for Health opened a school for mothers along with a clinic with health visitors – it was to be a model for many more. In East London, Sylvia Pankhurst and her Federation of Suffragettes bought a pub, The Gunmakers’ Amrs, renaming it the Mothers Arms, providing medicine, milk and nutritious food.

There’s also oh-so-familiar debates about childcare and how much the mother should provide. Rowbotham quotes the Greenwich Village feminist Henrietta Rodman on mothering: “The baby is the great problem of the woman who attempts to carry the responsibilities of wage-earning and citizenship. We must have babies for our own happiness, and we must give them the best of ourselves – not only for their own good, not only for the welfare of society, but for our own self expression … [but] the mother of the past has been so busy with her children that she hasn’t had time to enjoy them…The point is not how long but how intensely a mother does it.”

Housework, then as now, was another cause for fervent debate. It was in 1913 that the American socialist Jospehine Conger-Kaneteko, demanded, as women would again do in the Sixties and Seventies, wages for housework. She insisted that women’s household labour was ensuring their husbands could be efficient employees, and employers should be forced to recognise this. More radically still, in 1920, Crystal Eastman asked: “How can we change the nature of man so that he will honourably share the work and responsibility and thus make the home-making enterprise a song instead of a burden?” Rearing sons to do housework was her answer, Rowbotham reports.

And the problems of clothing were a cause for great debate. Rowbotham quotes Charlotte Perkins Wilman on the distinctive female dress was meant to ensure “we should never forget sex”. But, our author says, women in desexualised clothing were very deliberately trying to colonise new spaces, even in the face of ridicule: “Critics sneared at the plain shirtwaisters and ties worn by Russian-Jewish immigrant working class new women who sat in cafes debating marriage, the family and working conditions. One hostile observer in the 1890s derided the “atmosphere of tea-steam and cigarette smoke’, denouncing the ‘pallid, tired, thin-lipped, flat-chested and angular’ women for whom ‘The time of night means nothing until way into the small hours.’”

It wasn’t only women who were acting bravely and thinking originally. Rowbotham tells the tale of the Comstock laws in America, passed in 1873, which banned the distribution of “obscene” literature through the mail. Among those caught, and jailed, as a result was Moses Harman (father of campaigner Lillian), once for writing about women’s right to resist rape in marriage. He was jailed again for publishing articles by birth control advocate Dora Forster, who argued that the worst kind of prostitution was in conventional marriages, where women were taught to use their bodies for economic and social advantage.

Rowbotham has found some wonderful examples of debates and encounters on issues still being played out today, perhaps more notably on prostitution:

“When the future campaigner against lead contamination, Alive Hamilton, braved a brothel in Toledo to rescue a prostitute, she found, instead of the victim she had expected, ‘a woman of mature years, handsome, dignified, entirely mistress of herself’ in a house that was ‘luxurious but vulgarly ugly’. The meeting was an occasion for mutual incomprehension. The young idealistic reformer heard the calculating voice of a tradeswoman. ‘…I spend my time persuading men to spend money on what they don’t really want.’ For her part the prostitute was appalled by Hamilton’s altruistic settlement life in the Chicago slums: “That is not the sort of thing I could possibly do,” she observed with disgust…. From 1910 the upper-middle-class Bostonian Fanny Quincy Howe regularly corresponded with a Jewish prostitute and morphine addict, Maimie Pinzer, who told Howe she regarded divorce as ‘a lot of follishness and a marriage ceremony the worst lot of cant I ever heard.’”

I’d defy any reader not to learn surprising new things from Dreamers of the New Day: the most prominent snippet for me was the origins of the word “ecology” – it was “oekology” originally, coined by Ellen Swallow Richards, the first female graduate of the Massachussetts Institute of Technology, where she was later a lecturer. In her 1882 The Chemistry of Cooking and Cleaning, she presented housework as a science, and she regarded work in the home as the basis for a much broader responsibility outside it. The world was everyone’s house, she declared, and it required good housekeeping, and that meant a science of the environment, for which she found the word.

All of this original, and often still radical, thinking was done despite its originators living in a world with the most ridiculous (to our eyes) restrictions. Rowbotham explains that women in the 1880s and 1890s were attending in Oxford and Cambridge University Extension lectures, and even being allowed to fully enrol in the newer provincial universities. But at Owens College Manchester, the female students were barred from the library: they had to send their maids to collect books. And the anarchists Rose Witcop and Guy Aldred were charged and convicted with distributing obscene literature for Family Limitation a straight practical text on birth control, with their lawyer explaining that this was probably because a diagram that showed a pessary being placed in a vagina. The obscenity was that the finger might not be the woman’s own, a thought that came as a total surprise to the female publisher.

Dreamers of the New Day could be criticised, perhaps, for not taking us forward, for simply reporting the past, but Rowbotham is, after all, primarily a historian, and this book is wonderfully original and delightful to read – and it recovers for new readers wonderful women of the past who deserve to be remembered. Perhaps your favourite will Mrs Grundy who in Shipley, Yorkshire, fought for women’s access to the Turkish baths at the same price as the men. She’s certainly one of mine.

In History: Frances Wright

This is the 35th post in a weekly feature here at Spare Candy, called "In History." Some posts might be little more than a photo, others full on features. If you have any suggestions for a person or event that should be featured, or would like to submit a guest post or cross post, e-mail me at rosiered23 (at) sparecandy (dot) com.

This isn't just about Frances Wright, it's about this caricature of her. I think it illustrates well what some people thought of outspoken women at the time -- and really, probably isn't that far off the mark of what some people think of outspoken women today.

Frances Wright was born in Scotland in 1795, and later emigrated to the United States and eventually became a U.S. citizen. She was a feminist, advocating for equality, particularly in education, and women's right to vote. She was also an abolitionist, a writer and a lecturer, and outspoken against capitalism. She believed in freeing slaves, sexual freedom and birth control. Wright and her sister went on a speaking tour around the U.S. Eventually, Wright "became the first woman to lecture publicly before a mixed audience when she delivered an Independence Day speech at New Harmony in 1828."

And that brings us to this caricature:


Image description: "'A DownWright Gabbler, or a goose that deserves to be hissed --'", an 1829 caricature which takes a hostile view of Frances Wright's public lectures. Many at the time considered the mere fact of a woman lecturing in public to be a shameless act of brazen impudence and effrontery in itself (regardless of the particular content of her lecture), and the fact that Wright preached radical views of slavery abolition and giving women the right to vote only increased the criticism she received.

The caricature depicts her with a goose's beak and eyes, wearing a somewhat unfashionably high-waisted and narrow-sleeved black dress, and reading from a book as she lectures. A young man with a somewhat vacant look, and a hand tucked into one side of his vest (à la Napoleon), patiently holds her bonnet. (This was probably intended to be interpreted as going a little bit beyond an ordinary daily act of chivalry into a more or less subserviently deferential role.)"

Wright died in 1852 in Cincinnati, Ohio, and her tombstone is said to read "I have wedded the cause of human improvement, staked on it my fortune, my reputation and my life." She is buried in Spring Grove Cemetery in Cincinnati (image).

There was much more to Frances Wright's life. You can read more about her here, here and here.


In History: Meena Keshwar Kamal

This is the 34th post in a weekly feature here at Spare Candy, called "In History." Some posts might be little more than a photo, others full on features. If you have any suggestions for a person or event that should be featured, or would like to submit a guest post or cross post, e-mail me at rosiered23 (at) sparecandy (dot) com.

Meena Keshwar Kamal was born in 1956 in Afghanistan. She was an Afghan feminist women's rights activist who founded the Revolutionary Association of the Women of Afghanistan in 1977. The group was organized to promote equality and education for women. In 1981, Meena (as she's commonly known) launched a bilingual magazine called Payam-e-Zan (Women’s Message). She also visited France for the French Socialist Party Congress that year, representing the Afghan resistance movement. Meena established schools for Afghan refugee children, hospitals and handicraft centers for refugee women in Pakistan. 1n 1987, at age 30, she was assassinated while in Pakistan. That was a year after her husband, Afghanistan Liberation Organization leader Faiz Ahmad, was assassinated.

RAWA is still active today. You can learn more about the group on its website, and you can read more about Meena here.

Photo source


Popular and lasting female role models for girls in literature?

I was walking through the Morvan hills in Burgundy yesterday, as pretty well in the middle of nowhere as you can be in Europe. So while there might have been trickling streams, an ash forest, an undergrowth of holly, not “hop scrub”, and really nothing very much at all reminiscent of Australia, I still found myself reciting The Man From Snowy River (Banjo Paterson’s great coming-of-age poem), and then rollicking my way tunelessly through Wild Rover. (Lucky there really was no one within coo-ee.)

But then I got to thinking about the content of these, and why these two tales – one of a boy becoming a respected man, the other of a man who’s been sowing his wild oats coming back into the fold – are the two that have stuck with me, nearly word-perfect, from childhood. And about the fact that both of the central characters are male.

Banjo Paterson of course is the quintessential poet of male Australian mateship; I know far less well many others of his poems, and the romance of humans overcoming natural adversity might be more than a little to blame for my first degree being in agricultural science. (That and the fact I was 17 when I decided to do it.)

But then I tried to think of similar songs or poems about women overcoming adversity, about girls becoming successful women, about straying women returning to the mainstream successfully, and I couldn’t think of any.

I used to be able to recite Little Boy Lost (from dreadful elocution lessons when I was supposed to be being taught to speak “ladylike”), which has a weeping and wailing mother, and … well when it comes to traditional culture, what I learnt in my youth and stuck with me, for brave, resolute, daring, successful women, I drew a total blank.

(With the generalised exception of pony club books – a staple of my pre-teen years, and perhaps the attraction of those has something to do with the fact that girls in them are allowed to do dangerous things, to get hurt, to struggle, persevere, and triumph – not something common in other genres.)

Other than that my childish heroes were rugby league players – they were the only admired people I knew about, and my dreams were – so extraordinarily – of footballing glory (still unrealisable for the girls of today).

Yet I can think of historical female characters who’d make great bases for such a literary project. Women who hid their sex to go off and fight in wars; the biblical Judith, who killed Holofernes (but if you think of most of the depictions of her they’re not exactly positive); pioneer women of the American West … the list could go on and on, and yet somehow none of this really seems to have inspired the songs and poems that have lasted in popular culture.

So I wondered how different it is today. As my office would tell you, pop culture isn’t exactly my special subject. I thought of Lara Croft, not that I know much about her, but she seems to be a genuinely heroic female character. And after that I drew a blank.

So I wondered. Are girls today growing up (anywhere in the world) offered equivalent female coming of age tales to The Man from Snowy River? Are they offered tales of women who went off the rails, had a roaring good time, then got it back together again? (And I’m talking here primarily about pre-teens, when so much character-forming is done.) Will they be remembering them 30 years later?

In History: Bloomer Club Cigar

This is the 33rd post in a weekly feature here at Spare Candy, called "In History." Some posts might be little more than a photo, others full on features. If you have any suggestions for a person or event that should be featured, or would like to submit a guest post or cross post, e-mail me at rosiered23 (at) sparecandy (dot) com.

"Bloomer Club Cigars": A somewhat silly 1890's cigar box lid which combines a number of incongruous elements in a way that would have been mildly titillating to males of the 1890's. At that time, it had only very recently become acceptable for women to wear knickerbockers or (skirtless) "bloomers" in a few strictly limited contexts, such as bicycle-riding and gymnastics; thus the bicycles in the upper and lower left corners and the gymnastic clubs in the upper right corner.

This cigar-box label goes far beyond reality (indulging in an elaborate social satire and put-on), by imagining that women would wear knickerbockers/bloomers to an elegant social club, and by imagining that such a women's club corresponded to some men's clubs in featuring cigar-smoking, heavy drinking, and athletic activities (thus the fencing foils at center top, and the empty bottles near the dumb-bells at lower right).

The humor is in the rather extreme contrast with the actually-existing decorous and genteel women's clubs of the time, in which firmly-corseted and long-skirted ladies were generally extremely earnest in pursuing goals of social betterment, literary self-improvement, etc.
Those silly women, wearing pants!

(via; higher resolution)